200YEARS-010724 - Flipbook - Page 57
ANONYMOUS
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Around King Rama V and King Rama VI period
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The royal preference for oil paintings of His Majesty King
Chulalongkorn (King Rama V) spread among the royal
family, alongside the growing popularity of photography
within the royal court. These portraits and photographs
documented the king and royal family of that era and
preserved the royal legacy dating back to the early
Rattanakosin period. For instance, the oil portrait of His
Majesty King Nang Klao (King Rama III), though the artist9s
name remains unknown, is believed to have been created
during the reign of King Rama V or King Rama VI. During
that time, European artists were commissioned to paint
from photographs sent from Thailand. Additionally, several
foreign artists traveled to Thailand and showcased their
portrait skills, while several Thai artists began honing their
craft by studying under these foreign artists or traveling to
Europe for further education, as seen in the case of Phra
Soralak Likhit. Although painting royal portraits was not
yet a common practice during King Rama III9s reign, he
was a significant patron of Buddhism, commissioning the
construction and restoration of numerous temples and Buddha
statues. He also promoted foreign trade with Asian and
European nations, particularly fostering connections with
the Chinese. This led to the integration of Chinese artistic
influences with Thai art in many temples. An anonymous artist
painted the royal portrait of King Rama III with meticulous
craftsmanship, adhering to artistic principles that convey
a solemn expression. The painting beautifully reflects His
Majesty9s grace and benevolence toward the people.
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