200YEARS-010724 - Flipbook - Page 276
TANG CHANG
N@ ON?O
(1934 - 1990)
"?10>/#>! 2@@/110>/#N .0. 2560
2@@?0!0>/#N .0. 2560
UNTITLED
1961/2504
Oil on canvas
92 X 198.5 cm
Signed (backside)
N: ON9Q 0>%>5>2#8?PN#?"#CO:#2#O:2##N0>%8P":#
@O/"N5 2!2:O5!C%?P0@1::#9:?O%8
5N/:!#CO?PO#N3%:"NO:2CN29!R"Q"BO3N:#N%?P"N:
59NO!RO/"/:!292/BN/:"N/3%92#:!P%#9Q?P 2
N : 2#O : 2##N %:> ###!!:!:"9Q Q%9 18
:N3!A5B% :>/90NO%8>###!:!##! P"!?
N>9Q3!@ÿ: :: 2?P2N5#N 2?ÿQ: O%82?ÿQ:!9 @PN:
%5O/O:QO/:5N5 :B%O%8>/90N
3%:">Q28O52>PO/%O5!#59/50>%>N5 R!N/N:8NO
:B%Q%O> 3#A5 :5N5 %5>/90N5
O5BNO%8O:N#A5Q%8O/O:"N:?P
%:>Q ?Q N O 3@P Q%:>Q O# N 5> ###!O/
:!##!5N : ?P !? #C O:#O255O / "? O #
9 %9 #B O#Q%9 18%O : "RO #9 5> > %::#N? "
9/591#CN9? @PNO3@PQ%:>###!B2ÿ:9?PNO
?P ÿ:BO N"5/:#0>%89Q R"O%8N:#8N0%N:/9/N:
N:2#O:2##N%:#83@P ÿ:%9ÿ:0>%8O2 #/#/!2!:>
>P2O%O/@/9?O:"CN9O/"/:!%BN%N:55:#!N
/:!#CO2@ AQ>/52??PC3: #%9 N:"5#8/:#
O%8N::50>%>8?Pÿ::%O:"9:##8:"/:!
5959Q?P5"CN :"QN::#/9?O:"
:%:O%8O/::#ÿ:N>?/> N:2#O:O#9:%Q
59">PQ3NON0>%>#BN3%9O%8/:#0>%8#N/!2!9"5R"
%:0>%8ÿ:/!:5N:28O5!B!!5:#/>:1N
/>:#N5N /:!NOR529!#59/ ?3::#B#> 5#N#9 9
/:!9O"O::#N!A5 N3B:#N/:!#BO# 5>>%59
N : %9 / 5B > " ! N3%N : ?Q %:"NO O#9 N%AP 5 2ÿ : 9
Q:#ÿ::0>%8ON%8N/N/%: N:N2?"?/>Q .0. 2533
N!AP55:"B 56 ?
274
Chang Sae-tang, a self-taught independent artist, combined
his studies in Chinese philosophy with the widespread
knowledge entering Thai society during the chaotic postWorld War II transition period. Chang created numerous
paintings, including portraits, landscapes, and abstract
works, using techniques such as black ink, pen, poster paint,
watercolor, and oil paint, which he explored in his unique
style. Many of his portraits and landscapes reflect his own
surroundings, including close acquaintances, self-portraits,
and views of fields and homes in the Thonburi area.
This piece is one of Chang9s early abstract paintings, .@"N@0 N@ ON!?O ? "/@
characterized by bold, spontaneous brushstrokes The photograph of Tang Chang with his
reminiscentof Chinese calligraphy. It belongs to one of his artwork
significant series of paintings recognized both in Thailand
and internationally. It is said that Chang approached his
work as if performing, gathering his concentration, calming
himself, and then making vigorous, emotive brushstrokes.
The thick, powerful texture of the paint conveys the artist9s
process and movements, akin to releasing pent-up emotions
through dynamic strokes.
Through his work and lifestyle, Chang greatly inspired future
artists and the contemporary Thai art scene. His art often
critiqued societal issues such as corruption, political conflict,
violence, and the daunting influence of capitalism, which
became driving forces in his artistic expression. Chang
passed away in 1990 at the age of 56.
