Case Study 02ally perhaps for heritage sites in the UK, the strikingly moderndesigns by Niall McLaughlin Architects, for what is now knownas the Welcome Building, gained overwhelming support fromthe local population.Public BuildingThe Wellcome Building and Auckland Tower (2018)Niall McLaughlin Architects LtdThe completed Welcome Building with its 30-metre toweropened to the public in October 2018. The tower is unquestionably the part of the project that captures immediate attentionand successfully draws together every part of the reconfiguredpublic space into a coherent urban design. That the tower isformed of engineered timber – a skeletal Glulam structure exposed to the often raw climate of the north-east – is remarkablein itself in an area that has an industrial past founded on coalmining and railways, both of which contributed to the financingof the stone buildings that have formed the character of thetown’s centre from the Victorian Era to this day.Bishop Auckland is a small market town in the north-east of England, equidistantly situated between Darlington and Durham.Auckland Castle was, for centuries, the official country residenceof the Prince Bishops and the official home of the Bishop ofDurham. In 2010, the Castle’s future and that of a collection ofworks by the Spanish Baroque artist Francisco Zurbaran was putinto doubt as the Church Commissioners reviewed its propertyportfolio. The problem was partially resolved In March 2011 witha £15m donation from investment manager and philanthropist,Jonathan Ruffer, who went on to set up the Auckland CastleTrust with a vision to use culture and heritage as a catalyst forregeneration and to reinvigorate the town.It is possible to interpret the genesis of the tower design in anumber of ways: as a metaphor for the lift structures that oncedominated the area’s deep mine colliery landscape or perhapsas a representation of mediaeval siege engines – moveabletowers that could be rolled hard up against castle walls to allowinvading armies to clamber over the top in order to confrontdefending forces. Irrespective of its possible antecedents, theAuckland tower is a remarkable configuration: built around acentral concrete core, the precision-engineered structure isformed with Glulam posts and beams made from Europeanlarch. In untreated form, the timber would likely have weatheredquickly, especially at the higher levels of the tower and – with somany horizontal, vertical and angled surfaces – would have doneso differentially, causing random discolouration throughout itslarge-scale frame.The Auckland Castle Trust changed its name to The AucklandProject in September 2017 to reflect its continued evolution andlong-term aspirations, while still honouring its Auckland Castleroots. Its plan to transform the site included the restoration ofAuckland Castle, the creation of a Faith Museum, a Spanish Gallery, a Mining Art Gallery, a Walled Garden and a new AucklandTower visitor centre as well as a Deer Park, a hotel and a numberof restaurants.The central attraction of the plan was the Faith Museum, anextension to the Castle designed to contain Zurburan’s 13 rarepaintings of Jacob and his 12 sons, considered to be some ofthe most significant religious treasures in Europe. Given thehigh sensitivity of this unique site, the process to secure planning permission for the visitor reception building and viewingtower planned to face onto the town’s historic market placetook until March 2015 following constructive discussions withthe local council and England’s national heritage body. Unusu-The solution to ensuring the entire structure retains its crisp,distinctive appearance over a long period has been given anadditional visual fillip through the use of the SiOO:X Light-GreyPigmented Wood Protection system. Pre-treated in factory conditions by the Glulam manufacturer, Inwood Developments, toPhotographer Nick Kane.47
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