24-25 Program Book - Flipbook - Page 40
Concerto No. 2 for Cello and Orchestra in D major,
Hob. VIIb/2 (1783)
FRANZ JOSEPH HAYDN
(March 31, 1732-May 31, 1809)
Haydn is a well-known personality to most concertgoers. His early life as a singer and free-lance musician
in Vienna has been thoroughly documented, as has his
steady rise to the position of Kapellmeister (basically
Music Supervisor) for the court at Esterhazy. In this
job, he managed a court-supported ensemble of 1520 players and composed according to his employer’s
will. Early on, he composed mostly instrumental
music for Prince Nikolaus’s twice-weekly concerts and
the court’s Tafelmusik (banquet/feast band). Later,
when the court’s taste changed, he wrote operas as
well. His primary influence on western music is felt in
the string quartet and symphony, most of which were
written for the court.
Overall, the circumstance in which he lived and worked, like others who benefited
from the patronage system of the 18th century, allowed him to develop his music
in a very craftsman-like way. He did not have the precocious genius of Mozart, but
he did have a strong sense of phrasing and form, and a delightful sense of humor
which, combined with the opportunity to write a lot of music, allowed him to
become an important force in all areas of music. He was not just a prime example
of the 18th century; he was also a forward-looking influence on Beethoven and
others to follow.
In 1783, Haydn was at the height of his compositional powers. His second cello
concerto is lyrical and polished, and uses thematic variation throughout, with
the soloist embellishing and extending melodies first introduced in the orchestral
accompaniment. The opening movement has a wonderful leisurely pace, moving
comfortably from idea to idea. The lyrical second movement is more intimate and
tender. The third movement provides a cheerful close to a very refined, mature
composition.
Tonight’s performance of this concerto has an additional connection: the solo
cadenzas were composed by Jessie Montgomery, composer of the previous piece
on the program.
40 CLASSICAL SERIES PSYCHO
